Showing posts with label Aprils The. Show all posts
Showing posts with label Aprils The. Show all posts

10 Japanese acts that would have been way way better choices than AKB48 for the Wreck-It Ralph soundtrack

I just saw that the super-creepy Japanese pop act AKB48 is on the soundtrack for the video game themed animated film Wreck-It Ralph*. While I suppose it should come as no surprise that such factory processed mega-sleaze could manage to shlerm its way onto the soundtrack (we are talking about Disney here after all), it does send this fanboy into something of a tailspin. Because for God's sake, there are exactly ONE ZILLION better Japanese acts to choose from for this sort of fun, nostalgic, vibrant love letter to video games. (I'm assuming most of that. Haven't seen it.)

So I took two seconds and wrote a list of the first ten acts I could think of. HERE IT IS, in order of relevance and everything, just in case you get bored of listening to incredibly awesome music halfway through like a moron who deserves total junk like AKB48 forced into your slack jaws and down your bloated food-chute.

*Looking up the correct punctuation is the beginning and ending of the research I did for this post.

#1 Sexy Synthesizer



If you get 15 seconds into this and don't know why it's number one then stop reading and smash your damn fool face into a brick wall until it's nap time. COME ON. Sexy Synthesizer is amazing and uses a handful of Namco arcade game sounds in just about every song he writes. Including Galaga which is the best game ever made. Disagree? See above advice.

You can hear his entire ROCK album below.



#2 Plugnet



THIS IS THE COOLEST CHIPTUNE ALBUM EVER CREATED. Why? LISTEN TO THE RAPPING OH MY GOD. Oh, and it should be obvious unless you're a dummy but Sexy Synthesizer had a hand in its creation. GOT MORE SPICES.

#3 Omodaka



OK, so we've been pretty spastic right out of the gate. Maybe what you'd expect. And then BOOOOM. Omodaka. That's right, funk-tastic chip driven funky funk courtesy of a Stevie Wonder bass line and some wickedly weird traditional folk singing layered over the top. If Disney really wanted to blow people's minds, THIS would be playing through Wreck-It (I'm too busy to bother with the Ralph and more) non-stop.

#4 YMCK



"Y! M! C! K! Let's go! Let's go! *clap clap* Y! M! C! K! Let's go! Let's go! *clap clap* Y! M! C! K! Let's go! Let's go! *clap clap* Y! M! C! K! Waaaaaaaa!"

I rest my case. (They also built their own chiptune software.)

#5 Perfume



I mean come on, it's called "Electro World" for crying out loud. And Perfume is HUUUGE. And waaay less creepy than those dead-eyed AKB slaves. Much more family-friendly and all that. And the bass line rules my soul.

#6 The Aprils



Alright, if the over-the-top commercialism is getting to you, then The Aprils are here to wash it away with a blissful wave of super duper cute synthpop. Absolutely non-ironic and just plain happy. All in a way only Japan can pull off. This should be the ending theme to every happy animated film, in my totally factual analysis.

#7 Halcali



Remember when people made good, clever videos? This is one of them! And it has blurred out Super Mario Bros in it! And it's an amazing song! COME ON GUYS JEEEZUS! AKB48? Really? When THIS IS A THING THAT EXISTS???

#8 Capsule



Screw Tron. THIS is what living in a video game from the 2000s would sound like.

#9 Floppy



Sorry if I fell off the chiptune tip for a second there. Back on track! Floppy brings a more rock/punk/weirdo vibe to their tunes. A nice foil to all the happy crappy girls, am I right? Look, we can all get along because chiptunes!

#10 Polysics



BECAUSE I WILL NOT REST UNTIL POLYSICS RULES THE ENTIRE WORLD. Because reasons, that's why.

So there you go. Take your stupid factory-pre-set J-pop and CHOKE.

The Aprils (エイプリルズ )



Effortlessly moving from electro-disco, to folky rock, to 8-bit chiptunes (with the help of YMCK,) The Aprils are a factory of cute, catchy and creative music. Switching between equally light male and female vocals, The Aprils conjure up electric Takashi Murakami landscapes full of gummy bears and happy anime aliens.

Formed in 1999, the trio quickly established their own unique sound. While they have elements of Shibuya-kei, namely the jazzy, upbeat bossa rhythms and crazy sampling a la Pizzicato Five, they mainly focus on electronic sounds. Classic 8-bit bleeps and buzzes from Nintendo's NES era are the most prominent element, along with other retro influenced sounds making up the bulk of their sonic pallet. Perhaps it's not surprising the they've worked along side other like mined artists like YMCK, Strawberry Machine and Plus-Tech Squeeze Box in the past. Still, they are far from your standard synth-pop band. They do incorporate actual guitars and drums, as well as well polished duel lead vocals, giving them a much more personal and “human” feel.

The tone of most of their songs is upbeat and bright, full of rainbows and Technicolor pandas, a toy box of musical ear candy. They temper the unabashed positiveness with a slightly melancholy mood from time to time, but it's a rarely used tactic. More a preciousness than a sadness. Their spaced-out tracks are more about a blissed-out quietness than an inward self-examination. Even their more obviously poppy tracks like "Cosmo '80s" seem to have a slightly darker edge. Their videos show that same art-school pop mentality with pandas and other cute, childlike animals playing a major role. (They do have both a song and an album titled “Panda” after all.)

After releasing three albums in three years, not to mention their various collaborations and touring, The Aprils have taken a much need break. They are currently working on their fourth album.

Kirameki Moon Diver


Buy The Aprils' releases here!



Official Site

Members:
Kentaro Imai - Vocal, Guitar
Miho Iguchi - Vocal, Synthesizer
Yuhki Shotokuji - Drums

Releases:
Astro - 2003
Pan-da - 2004
Space Dream Bathroom - 2005

Time After Time


Panda


Aprils In Stereo


Live


Live


Live


Kentaro singing live with Marino