Showing posts with label Versailles. Show all posts
Showing posts with label Versailles. Show all posts

Calendar 2010 - Versailles Philharmonic Quintet - World Tour



June 27 - July 13
Versailles Philharmonic Quintet

World Tour

June 04 Sao Paulo / BRAZIL
June 06 Santiago / CHILE
June 09 Buenos Aires / ARGENTINA
June 11 Lima / PERU
June 13 Mexico City / MEXICO
June 27 Moscow / RUSSIA
June 29 Helsinki / FINLAND
June 30 London / UK
July 02 Baecelona / SPAIN
July 03 Montpellier / FRANCE
July 06 Amsterdam / HOLLAND
July 07 Cologne / GERMANY
July 09 Hamburg / GERMANY
July 11 Budapest / HUNGARY
July 13 Paris / FRANCE

Source: Site

Videos of the Week 7-5-09



First off, sorry for the marked lack of updates this week. A combination of work ramping up at, er, work, and some very nice summer days have made it tough to want to sit around inside. I know it goes against the blogger code or something to want to actually spend time in the sun,. but I think I make up for it during the other nine months that we northern dwellers live under a blanket of snow and darkness.

So anyway, things should be picking up soon. Until then here are some new videos!

Aira Mitsuki "Plastic Doll"


First up is this cool new one from picopico pop sensation Aira Mitsuki. This video is full of eye-candy, and the song it actually pretty hard hitting. This whole Auto-Tune fetish-pop movement has gotten totally out of hand, but every once in a while something listenable comes out of it.

OK, let's get more serious after the jump!



Boom Boom Satellites "Back on My Feet"


Back on My Feet is the new single/EP from BBS, and it's a fantastic little collection. I haven't been too into their recent releases because they are all a bit too happy and party-centric. I like that they seem to be getting back into their more atmospheric and darker side on Back on My Feet. It reminds me of early Hybrid as well, what with all the strings and cut up drums. More like this, please!

Versailles "Ascendead Master"


I don't think I've really understood much of what goes on in Versailles videos, and this one is no exception. Something about a girl that the singer is all hot for? And a TV crew is filming them in a church for some reason? Whatever. I'm sure it's all part of some long-running story that I've been missing out on.

School Food Punishment "Butterfly Swimmer"


Here's the new one from SFP. Definitely more pop and mainstream than their previous releases, but then again it's not like there were ever that far-out to begin with. Still, they are on a major label now, so there you go...It all feels just a little too bland to me.

Puffy "Dareka Ga"


New song from Puffy. I really like their very early music, and this is almost along those lines. Still, it's super pop-rock like way too much of their recent stuff. I think if the music matched the video a little more that it might be a better song!

Gackt "Flower" (Karaoke)"


Here's a TV clip of Gackt laying down some karaoke for his newest single "Flower." Hijinx ensue! It's always nice to see Gackt in a less-than-serious mood. Of course all his serious stuff is actually just as silly. It's all a matter of perspective, I guess.

Jonathon Coulton - Live on local NY TV


And finally, for your non-Japanese pick of the week, here's a clip from a local New York news broadcast featuring Jonathon Coulton. It's pretty short, but at least there's a bit of talk with the man.

That's it for this week. Let me know what you're watching!

Best Japanese Albums of 2008 (Part 2)



Without a doubt, 2008 was nothing short of amazing when it came to new albums. Not only were there a lot of new faces releasing thrilling stuff, but there were also many old favorites that continued to churn out fantastic records.

I could tell around the middle of 2008 that there was going to be way too much ground to cover in terms of a "Best Of" year end collection, so I put together my first list of 30 albums back on July. You might want to give it a quick read to get yourself up to speed.

We've finally lurched into 2009, so naturally it's time to take one final look back at some of the Best Japanese Albums of 2008. What a list it is! I've spent an incredible amount of time pouring over the list, mostly getting lost in the staggering number of great videos I've mostly forgotten about. Really, I could probably just keep listing to the stuff from last year all through 2009 and still be happy.

So, get comfortable, grab a tasty beverage and join me after the jump for the Best Japanese Albums of 2008 (Part 2)!



First off, I'll start with my absolute favorites. Just about any of these albums could have made the top of the list, so everything is simply listed in alphabetical order.

54-71 - I'm Not Fine, Thank You. And You?



While these guys might not be the most creative sonically (every song sounds very much like every other song), they more than make up for it in sheer intensity. They are extremely sparse and focused, with performances that cut to the bone. Think Rage Against the Machine, only with even fewer frills. [BUY]

9mm Parabellum Bullet - Vampire



Another furiously performed album from possibly the biggest name in the new wave of indie rock. These guys have done nothing but great things right out of the gate, and Vampire is both their most mature and most exciting album so far. [BUY]

Avengers in Sci-Fi - Science Rock



Combining their super-tight post-punk playing with spaced-out electronics and production, Avengers in Sci-Fi creating something unique. Both rock and dance, energetic and calming, they manage to push the boundaries without creating too much chaos. [BUY]

De De Mouse - Sunset Girls



De De Mouse is a rare example of an artist who not only creates amazing music, but also creates entire worlds. His purely electronic style is also totally organic and absolutely original, full of fuzzy memories of childhood set in a Lisa Frank world. Absolutely wonderful stuff. [BUY]

Denki Groove - Yellow



Leave it to house/prog/trance masters Denki Groove to step away for a while, only to come back with two full length albums in one year! JPOP already made it onto the previous Best list, and they're back again with Yellow, their second release in 2008. It's actually a much more solid album, and totally infectious from beginning to end. [BUY]

Mo'some Tonebender - Sing!



Mo'some Tonebender have come such a long way over the years, but they've always churned out great sutff. Sing! sees them at their peak, with both great sounding songs and some really new direction. Very upbeat, yet still kicking all kinds of ass, as always. [BUY]

Mutyumu - Ilya



Combining operatic vocals, nu-metal guitars, rock piano and classical strings, it's safe to say the there isn't anyone quite like Mutyumu. Their second album pushed their sound even further, but in the death metal department as well as the profoundly moving softer, extended strong sections. A little something for every, just so long as you like things very very dark and brooding. [BUY]

sgt. - Stylus Fantasticus



Just one of many spectacular instruments band to release something great in 2008. Yet sgt. stands way above the crowd with their featured violin player and truly epic song structures. Like many other bands in this list, the mix a trancelike intensity with equally delicate details. While they've been together for a while, this is their first album. Let's hope for much more in the future! [BUY]

Versailles - Noble



Few bands rise to prominence as fast as Versailles. With their very first song released, "The Revenant Choir," they instantly shot to the very top of the vis-kei scene. This is no doubt due to the fact that they are amazing players, packing in nothing but quality in each of their epic symphonic metal songs. Oh, and I suppose some people might like the visual side to them as well. [BUY]

Vola & the Oriental Machine - Halan'na-ca Darkside



Vola changed things up a bit on this album (essentially an EP.) While it's still very much the same band, they went in a slightly more dance-oriented direction. It's still pretty intense and fun though. The use of short electro tracks in-between the songs proper really makes for a solid release. This is another band that's really become an icon in the scene, so it'll be very interesting to see what they do next. [BUY]

Those are the top 10! Oh, but there's still so much more. In fact I had to sift though close to 110 albums just to make this list of the second half of 2008! Naturally there's just too much to go into great depth with. If you want to learn more about each band, click their names and check out more info and videos. They're all superb!

Art-School - Illmatic Baby [BUY]



Cruyff in the Bedroom - Saudargia [BUY]



DJ Sharpnel - Nijigen Satasfaction [BUY]



group_inou - Fan [BUY]



iLL - Rock Album [BUY]



Immi - Switch [BUY]



Ogre You Asshole - Shiranai Aizu Shiraseruko [BUY]



Omodaka - Favorite Games [BUY]



The Predators - Kiba wo Misero [BUY]



Saori@destiny - Japanese Chaos [BUY]



School Food Punishment - Riff-Rain [BUY]



Sex Machineguns - Cameron [BUY]



Sexy Synthesizer - Rock [BUY]



Shadow - Forever Chaos [BUY]



-Mashite, Kokoro to Gokan ga Icchi Surunara [BUY]



Unkie - Too Many Secrets [BUY]



Usotsuki Barbie- 増えた1もグル [BUY]



Wagdug Futuristic Unity - Hakai [BUY]



Zazen Boys - Zazen Boys 4 [BUY]



That's it! What? That's not enough? Sheesh, some people are never happy. Well, we'll all just have to wait and see what happens in the coming year. I expect great things.

Make sure to stay tuned to the blog and to Japanator Radio every week for more of the best music from Japan!

October Calendar - Versailles Philharmonic Quintet - New York Gig



October 14
Versailles Philharmonic Quintet

The Knitting Factory - New York, NY

(Also, don't miss them at Anime USA as well!)

Source: MySpace

BUY VERSAILLES PHILHARMONIC QUINTET RELEASES HERE


Otaku USA Magazine - September/October 08



I'm a bit late this time around, but nevertheless, here's a heads up.

Once again I am in the pages of Otaku USA Magazine. The September/October issue is out now. This issue sees me interviewing ex-Luna Sea guitarist Sugizo. We talk a bit about his new solo compilation album Cosmoscope, as well as his involvement with the X-Japan reunion tour and his time with S.K.I.N.

I also have a few album reviews, including Shokotan's Big Bang, BLOOD's The Reaper Behind Me, Love Psychedelico's new US compilation This is Love Psychedelico and Versailles' (who are now Versailles Philharmonic Quintet, btw) Noble album.

Of course there are also the 148 pages of other non-music coverage, like the huge number of manga reviews, the massive interview with Shokotan, all that new anime stuff, figures, film, video games, etc etc. Check this out for a better run-down of the contents.

I really hope you get the chance to track this one down. Every issue just keeps getting better, and I honestly believe that this is the best outlet for all things otaku. Get it!

October Calendar - Versailles, Peelander-Z, DJ SiSeN - Anime USA



October 10-12
Versailles | Peelander-Z | DJ SiSeN
(Also Freezepop!)
Anime USA - Arlington, Virginia

Source: Anime USA & Tainted Reality

October Calendar - Versailles | DJ SiSeN - Anime USA



October 10-12
Versailles | DJ SiSeN

Anime USA - Arlington, Virginia

Source: Anime USA & Tainted Reality

Japanator Radio 45

Welcome once again to your weekly dose of auditory bliss, direct from Japan!

This week we've got new music from epic metal masters Versailles, nu-metal masters Maximum the Hormone, pounding dance goddesses Perfume and new-wave spaz rockers Polysics in the Artist Spotlight! Oh, and much more.

Also this week, I have some homework for you, dear listeners. It's pretty simple really. Just leave a comment. That's it! I know we get thousands of listeners every week and I'd love it if we could hear from all of you. I know most of you will continue to hide in the shadows, but I really want to hear from as many Jtor Radio fans as possible. Hit up the comments with whatever you want, just a "Thanks!" or a "learn how to pronounce Japanese overnight please!" or your own "people to kill" list...whatever. Just comment! 

Thanks, and enjoy the show!

DOWNLOAD EPISODE 45 ON JAPANATOR!

Check Me Out In Otaku USA #7 - Out Now!



Just a quick note: Once again I've got a bunch of stuff in the new issue of Otaku USA Magazine!

First off, there's my interview with the hugely popular vis-kei metal band Versailles. They recently played at A-kon in Dallas TX, and I had a chance to fire a few questions their way. They talk about their visual aesthetic, lyrics and rabid fans.

I've also got a couple album reviews for Budo Grape's Aimore and We Ate the Machine from Polysics.

You can run out of grab it now. Please let me know what you think. Thanks again to all the Otaku USA staff and crew for putting together the best Japanese culture magazine out there!

June Calendar - Versailles - Los Angeles, CA



June 3rd
Versailles
Knitting Factory, Los Angeles, CA

Source: Tainted Reality

May Calendar - Budo Grape and Versailles at A-Kon

May 30
Versailles - Budo Grape

A-Kon - Dallas, TX

Source: Tainted Reality - Japanator

Lareine



Lareine was a vis-kei band formed in 1994 by singer Kamijo and guitarist Mayu. The band slowly dissolved in 2006, and from its ashes rose Versailles, for whom Kamijo now provides the vocals and pretty face.

Unlike the epic speed metal slant that Versailles takes, Lareine was much softer and saccharine, playing up the puffy and frilly style of other early bands of the genre. There are many echos of what would eventually become Versailles, like the excellent single "Knight and Priest." Overall they have a very bright and positive sound, much like Psycho le Cemu.

Much of Lareine's music was centered around an ongoing story in which each member played a part, or at least a feeling. Apparently Kamijo played the part of Jeremie (later Asphodel), Mayu is sadness, Emiru cupid, and Machi love.

The band almost broke up in 2000, but Kamijo kept the spirit alive and in 2002 they reformed. It only lasted another four years when in 2006, new drummer Kazumi left the band. Mayu then disappeared, and the band disbanded.

Metamorphose



Members
Kamijo – vocals
Emiru – bass
Mayu – guitar
Machi (later Kazumi) – drums

Major Releases
Blue Romance ~Yasashii Hanatachi no Kyousou~ (9-7-1997)
Fierte no Umi to Tomo ni Kiyu ~The Last of Romance~ (2-16-2000)
Scream (1-11-2000)
Vampire Scream (10-25-2000)
Reine de Fleur I (3-26-2003)
Reine de Fleur II (2-26-2003)
Crystal Letos (3-31-2004)
Never Cage (9-5-2004)

Fleur


Saikai no Hana


Fiancailles


Never Cage


Setsurenka

Vis-kei metal masters Versailles to play A-Kon 2008





Tainted Reality, a major vis-kei promoter in the US, has just announced that they are bringing the masters of metal and frilly dresses Versailles to A-Kon this year. This is huge news for fans of quality visual rock as Versailles knows how to bring quality songs at blistering speed. They are still a very new group (though comprising members of several older bands,) having released their first mini-album Lyrical Sympathy last year, along with the unrelated single for "The Revenant Choir" (see video above.) Versailles hits the stage along with Budo Grape opening night, Friday May 30th. A must-not-miss line-up if ever there was one!

You can read the full release after the jump.


Live in concert Versailles!!!

A-Kon® will host the North American debut of the sensational new Visual Kei
band Versailles on Friday May 30th in Dallas at the Adams Mark.

The convention will also host question and answer panels with the band
followed by autograph sessions during the weekend of the convention.
Versailles is presented by Tainted Reality http://www.taintedreality.net

About Versailles
Versailles is the Victorian heavy metal super group comprised of
guitarist TERU (ex. Aikaryu), bassist Jasmine You (ex. JAKURA, Hizaki Grace
Project), drummer YUKI (ex. Sugar Trip), guitarist Hizaki (ex. Sulfuric
Acid, Hizaki Grace Project), and vocalist KAMIJO (ex. Lareine). They are the
brightest shining stars in the indies Visual Kei scene in Japan. Formed
in 2007 under the concept of "the Absolute Youshikibi (beauty of form)
sound and extremes of aestheticism", the band performed their first lives
to sold out crowds, and their first mini-album broke the top 3 on the
Oricon indies charts. Citing inspiration from heavy metal legends such
as Dream Theater and Metallica, Versailles compositions consists of neck
breaking, thrash inducing anthems to serene, poetic, sentimental
ballads. A band that truly demands to be experienced, Versailles is set to
revolutionize Visual Kei, and rock its very foundations.

Tainted Reality is the premiere source of Japanese rock (J-Rock) entertainment
in the United States. Tainted Reality hosts their own internet radio network
dedicated to Japanese musical programming and produces radio shows such as
Tainted Reality & The Tainted Reality Talkshow. Tainted Reality often conducts
interviews with some of the biggest musical artists of Japan like Yoshiki of X
Japan, Die of Dir en grey, Miyavi and Plastic Tree. They also manage and
organize tours for prominent J-Rock bands such as BLOOD, Candy Spooky Theater
as well as producing media such as the Darkest Labyrinth Vol.1 DVD and the
Darkest Labyrinth CD. For more information visit http://www.taintedreality.net

ABOUT A-KON®

A-Kon® is the oldest continually running, anime-based convention in North
America. Celebrating it's 19th year in 2008, A-Kon® hosts anime fans and
guests, and offers other items of interest ranging from gaming, to independent
film, all in the quest to provide the best experience for the fans and bring
the most engaging, and educational, entertainment to the anime community.

A-Kon® 19
May 30-June 1, 2007
Adams Mark Hotel
Dallas, Texas
http://www.a-kon.com

The Best Japanese Albums of 2007



2007 was a great year for Japanese rock. While the pre-fab pop/idol scene is still what Japan is best known for, it's starting to show some cracks around the edges. Many bands are pushing strong playing and even stronger songwriting to the forefront instead of relying on the shallow gimmicks of massive industry backing. What might once have been a talented band lost to obscurity is now a group that has just as much of a chance at fame as any rising starlet. Obviously, many of us would like to think that this is mostly due to the now mainstream use of the internet as the main portal of information gathering. We no longer have to rely on the magazine and television monopolies to tell us what to listen to. It also helps that more and more Japanese bands are making the trip overseas and preforming live to larger and larger audiences outside of the anime convention circuit. We can now follow our own paths wherever they may lead. (Hint hint - this is exactly the mission of this site!)

That said, here are a few recommend paths to follow for music lovers of all stripes. There's no way to list all of the great albums that were released in 2007, but I nevertheless hope to cover a lot of ground, as usual, from metal to pop to electro to indie rock. I'll start things off with 15 of my personal favorites from 2007, followed by 35 quick picks.


9mm Parabellum Bullet - Termination



Termination easily gets my vote for most intense rock album of the year. It's hard to believe that 9mm Parabellum Bullet could top any of their previous fury, but indeed they do. That could be due in part to the high amount of recycled older material, but it's made even more frantic on the new recordings. Termination is a wall of sound from begining to end, with a very high "twists-and-turns" ratio in every song. Not for the feint of heart, yet somehow extremely catchy along the way. "Punishment," the aptly named final track, puts epic metal guitar gods Dragonforce to shame.

Abingdon Boys School - Abingdon Boys School



It was a long and lonely wait for the very first album from Abingdon Boys School. We were teased with a couple years worth of singles until they finally releases their self-titled album in 2007. While it only contained about 50% new material, it was still a much welcomed album. Full of Toshiyuki Nishi's relentlessly thick and compressed production, the album is a solid wall of guitars, synths and Takanori Nishikawa's vocal prowess. While it's obviously a pop album, ABS manages to bring a lot of raw power via the intricate guitar riffs and hulking drums. It's pop rock full of metal tricks and synthetic grandeur.

Asparagus - Mont Blanc



Much like 9mm Parabellum Bullet, Asparagus plays a very intense brand of spiky indie-rock, stripped down and raw. They aren't afraid to leave all the nerve endings exposed on Mont Blanc, which is full of very quick, tight guitars and drums all supporting the melodic structures.

The Brown - Struggle In A Whirl



Struggle In A Whirl, the debut album from The Brown, is a feast of progressively minded indie rock, swinging from complex guitar workouts to mellow passages that shine a light on Ai's crooning vocal style. Every song is packed with small details that require several listens to fully comprehend. I hate to keep invoking the name of 9mm Parabellum Bullet (band of the year maybe?), but Struggle In A Whirl certainly sounds more than a little like Evanescence run through a Termination machine.

Buck-Tick - Tenshi No Revolver



Buck-Tick never fail to surprise with every new album they release, and they did it once again with Tenshi No Revolver. While the previous album was an ichor slathered, dark and glammy affair, Tenshi No Revolver is a much brighter, yet no less menacing album. While the songs seem more upbeat and happy at first blush, further inspection exposes the same dark undertones. The sound is stripped down and focuses on a simpler raw sound, which highlights the, as always, subtle, brilliant songwriting. Much like The Cure could fake happy now and then, Buck-Tick will put the smiles back on the face of goth via Tenshi No Revolver.

Budo Grape - Otonatachi x Kodomotachi


(this is actually from a previous album)

Budo Grape continued their new-wave synth rock stylings on Otonatachi x Kodomotachi, an album full of very cute and fun electro-rock songs ala The Plastics and The Sugarcubes. The tag-team male/female vocals add to the playful, totally unpretentious songs. While overall the production on Otonatachi x Kodomotachi is very dry and to the point (much like early Devo recordings), their willingness to dip into a wide range of electronic textures keeps the simple songs interesting from beginning to end.

Coaltar of the Deepers - Yukari Telepath



Coaltar of the Deepers has made a career out of being extremely tough to categorize. Every album is an exercise in genre bending, and that is expressed most perfectly on Yukari Telepath. While the band started out as a softer, shoe-gaze type band, they've always adopted much heaver element in their music. With Yukari Telepath, they blend dreamy sounds-capes with very loud and very thick metal passages and grunting vocals. That can then break into an uplifting bit full of synths and the usual dreamy style. At other times they stick to straight-up groovy rock, or totally spaced out excursions. Yet they make it all work perfectly and cohesively. I'd even dare to say that Yukari Telepath is the best album of 2007, blending not only disparate styles, but synthetic and acoustic elements in equal measure. And I mean best album. It's something that must be listened to as a whole, and that is something that is becoming increasingly rare these days.

GO!GO!7188 - 569



GO!GO!7188's 569 is a much welcome return to superb songwriting for the band. Their surf-rock meets epic-female-vocal style is never more solid than on this album. The opening tracks are easily their best material ever, with extremely catchy songs wrapped in deceptively complex structures. While the middle of the album contains all the more experimental and quiet stuff, the party picks up again toward the end. As with many of the previously mentioned albums, 569 focus only on the band's solid playing, highlighting the trio's prowess behind their instruments, as well as the very upbeat and fun songs.

Maximum the Hormone - Buiikikaesu



On Buiikikaesu, Maximum the Hormone seems to do the impossible, making nu-metal interesting and fun. While it contains all of the signature chugging riffs and guttural screaming, it also adds a huge dose of catchy melody and straight up pop-rock. In fact just about every song seems to jump through several genres, from mook-rock to ska to dancable pop and hip-hop, all with a fun punk-rock irreverence, and the occasional super cute female vocal. With Buiikikaesu, Maximum the Hormone proves that nu-metal isn't all angst and emo, but also a good time.

Melt Banana - Bambi's Dilemma



Bambi's Dilemma is the perfect mix of seemingly random noise guitar with easily digestible punk songs. While calling Melt Banana "abrasive" might be the understatement of the year, they manage to keep their spikey outer shell razor sharp while at the same time writing nothing but pure pop songs on Bambi's Dilemma. It's just pop at a million miles an hour, played through a blender on the verge of a meltdown. While their blistering punk presentation won't be winning over the faint of heart, the pure pop of Bambi's Dilemma just might.

Midori - Second and Shimizu



Don't let the sailor-suited school girl who fronts this band fool you. Or better yet, let her fool you into thinking you'll be getting a typical cute pop-rock the image might otherwise represent. After all, Midori is a band full of pop and cute and rainbows, it's just that it's all fractured from too much love and overuse. Both of Midori's 2007 releases are chock full of playful pianos, drums and bass, playfully played by a trio of angry children throwing a fit over a favorite toy. It seems impossible that singer Mariko Goto could contain so much rage and fury one second, then drop down to a cute and alluring tone, drawing you in for another vocal attack. If these guys don't burn out soon, they just might take over the world.

Polysics - Karate House



Speaking of taking over the world, 2007 was an extremely important year for Japan's preeminent new-wave band Polysics. Not only was it their 10th anniversary, but they embarked on the very first MySpace Music Tour in America, which exposed them to hundreds of thousands of new fans. While many of those new fans might have thought that Polysics or Die: Vista, a compilation released on MySpace Records, was their big 2007 album, it was actually the all new Karate House which was the year's centerpiece. Containing a large number of hit singles like "Electric Surfin' Go Go" and "You You You," it also showed off the band's continuing evolution. While they still retain their early noise-rock mentality, it continues to be tempered by their desire to hone their sounds into pure electro-rock bliss. Karate House is just one more step on their way to world-wide fame.

Puffy Ami-Yumi - Honeycreeper



If Puffy's previous and more recent releases pushed them too far into pandering-to-America territory, then it was this year's Honeycreeper that brought them back home. The songs on Honeycreeper hearken back to their early days, with more of a focus on the fuzzy, hazy feel-good retro-rock sound in lieu of their previous pop-rock aping of Avril Lavigne. The songwriting is some of the best you'll hear on a rock album in any country, with ample twin vocal harmonies and the simple yet somehow nostalgic sounding melodies. Honeycreeper is just a simply beautiful, middle of the road, totally unpretentious rock album, something only Puffy can do with such quiet perfection.

Shugo Tokumaru - Exit



If it's eclectic arrangements you're looking for, then Shugo Tokumaru's Exit is the perfect album for you. The songs roll out like clockwork toys, all made in a place not quite based in any reality we know, yet all strangely familiar. It helps that all of the tunes on Exit are front and center, somehow managing to not get lost in the vast sea of unique sounds. While the vocal treatments might remind you of The Beach Boys' dreamy, layered style, it's Tokumaru's totally fresh presentation that will keep you feeling just off-kilter enough to keep the bemused smile on your face from beginning to end.

Versailles - Lyrical Sympathy



While, for some totally unfathomable reason, it doesn't contain the incredibly epic first single "The Revenant Choir," Versailles' first album Lyrical Sympathy is a limitless font of epic metal greatness. Its soaring majesty is rivaled only by the band's own outrageously over the top visual style, which is taken straight out Anne Rice's most fevered dreams. Their frilly and darkly colorful look is a prefect visual analog for their music, which is equally dark and brooding, yet full of blistering metal guitar riffs, seemingly unending solos and labyrinthine structures. I still don't know how they manage to pull off all of those complicated phrases while wearing a hundred pounds of lace and flowing dresses, but the blinding greatness of their music is enough to dampen any doubts. If Lestat were alive today, this would be his band.

Some Other Notable Releases:

Art-School - Hidari Kiki no KIKI: An excellent little EP.

Ayumi Hamasaki - GUILTY: Yeah, that's right. Even the biggest pop-idols in Japan can release an interesting album once in a while.

B'z - Action: You can't ignore the biggest selling band in the history of Japan.

Base Ball Bear - 17sia: More pop/post-punk/dream rock from BBB.

Bremen - Precious Story: "Just another blissful electro album" is always welcome.

Bump of Chicken - Orbital Period: Simple soft rock is simply perfect.

Capsule Flash Back: More of the same is just fine when it's the same top-notch electro-dance from Nakata Yasutaka.

Chatmonchy - Seimeiryoku: Fresh-faced-and-smiling rough-edged pop-rock from the all-girl trio.

Coltemonikha - Coltemonikha2: Speaking of Nakata Yasutaka, if his Capsule stuff is too hard and sharp for you, try this softer side.

Electric Eel Shock - Transworld Ultra Rock: More balls-out stoner-rock mayhem from EES.

Fullarmor - Zion: An excellent little guitar-driven instrumental album full of intense songs that seem to come straight out of your favorite retro video game soundtrack.

Galneryus - One For All, All For One: If you were scared off by Versailles' frilly pink dresses, then maybe Galneryus' less visual epic metal is more for you.

Going Under Ground - Oyasumi Monster: If it's fun soft-rock you're after, then this is the album for you.

Hawaiian6 - Rings: More intense, melodic power-punk from Hawaiian6.

Ken Yokoyama - Third Time's A Charm: More intense, melodic power-punk from Ken Yokoyama.

L'Arc-en-Ciel - Kiss: L'Arc continues their mix of lushly produced, dark and elegant rock.

The Local Art - KiZUNA: A great, solid power rock album. What else do you need?

Mars Eurythmics - Range Over Hill and Dale: A great, upbeat, solid indie-rock album. What else do you need?

Meg - Beam: Speaking of Nakata Yasutaka, if his Coltemonikha stuff isn't fun enough for you, try his more mature production on Meg's new album.

Mix Market - Shiawase no Elephant: Another fun and bubbly indie rock album from Mix Market.

Mosaic.wav - Future-Fiction:AKIBA-POP!!: Suffering from low blood-sugar? Inject this super-sweet anime inspired collection of crazy synth-pop twice daily.

Motocompo - Chiptop Lips: Their most mature album so far, it contains some of the most blissful synth-pop you'll hear.

Noodles Metropolis: More drowsy, fuzzed out rock from this all-girl rock group.

Onmyo-za - Maou Taiten: Once again Onmyo-za bring new life to classic metal and traditional Japanese style.

Otsuka Ai - Love Piece: Yet another spot-on collection of retro-pop rock, tearful ballads and plain crazy fun from the most cutest idol ever.

The Pillows - Wake up! Wake up! Wake up!: It should go without saying by now, but when The Pillows release an album, you buy it.

Roach - Mind of the Sun: Nu-Metal with a very original, high-pitched traditional Japanese vocal style. Well, at least when he's not screaming.

RYUKYUDISKO - INSULARHYTHM A straight-up techno/dance album full of happy melodies and interesting collaborations.

School Food Punishment - Air Feel, Color Swim and School Food is Food Food: Two albums full of mature female vocals, pianos and soft, spacey rock.

Sleepy.ab - Fantasia: Delicate shoegaze bliss.

Straightener - Immortal: A great little EP of brash indie-rock.

Tokyo Jihen - Variety: More swank, high-society rock. I suggest a white wine.

Tomoyasu Hotei - Ambivalent: Guitar-fueled blues-rock? Here it is!

UVERworld - Bugright: If Base Ball Bear's 17sai didn't have enough down-tempo rap for your liking, then UVERworld would like to talk with you.

Vidoll - Bastard: A step above your average vis-kei album, Bastard swings from screamy metal to soft, dance-able ballads and back.

That's it for this year. Hopefully that will give you enough to wade through until the next wave of albums begins to appear. With all of the amazing music released this year, next year looks to be very interesting indeed!

(Also, please feel free to add your own "Best Of" list in the comments!)

Skywings



Skywings is a self-described "symphonic cyber metal" band. I would just simplify that to "epic" metal. Cyber is a bit of a misnomer because they don't really rely on too many synthetic elements other than the strings and occasional lead keyboard parts. Symphonic is a bit closer to the mark, as they are indeed rather grand and lush, but they don't really go too crazy with the arrangements. They are certainly very melodic, much like Versailles and their major influence X-Japan. In fact Skywings' singer Takashi sounds quite a bit like Toshi from X-Japan in both style and vocal range. Takashi keeps things on the very edge of his high range, sometimes going just a bit too far and stretching things to their breaking point. This is very much like X-Japan tribute group Psycho and J who have done a few anime theme songs in the style of X-Japan's more furious tracks. J also takes things to a vocal extreme that may be just a bit over his head.

Regardless, Skywings brings the metal and brings it in a fast and unrelenting way. So far they've only released one maxi-single, and that was well over a year ago. First Contact is an all too short four song blitz, so it would be nice to hear how they handle a bit more breathing space on an album. They do continue to tour however, so hopefully a full length release is on the way soon.

Angel Sky - Live at Club Vijon July 18th 2007



Official Site
MySpace

Members
I-LA - Guitars
TAKASHI- Keyboard, Harpsichord, Piano
TAKUYA- Vocals
SENOH- Bass
YUKI- Drums

Major Releases
FIRST CONTACT - 2006/7/15 (Maxi-single)

Album Review: Versailles Lyrical Sympathy



I've already written a bit about how overly high expectations can ruin an album. While there were many other factors involving Buck-Tick's Tenshi no Revolver that unfairly tarnished my initial views on the album, I think I can be excused this time around.

Until now, all we've heard from Versailles has been a single song. A single soaring, dueling guitar, epic metal symphony. "Revenant Choir" is eight minutes of unrelenting frills, lace and guitar shredding. It's a very catchy song and rather straightforward in its presentation.

The first thing you should know about the debut Versailles album Lyrical Sympathy is this: "Revenant Choir" is not on it. The second thing you should know is this: "Revenant Choir" is at least twice as good as anything on Lyrical Sympathy.


Now, that's not to say that anything on Lyrical Sympathy is bad. Quite the contrary. From beginning to end, the album keeps up the pace with the aforementioned guitar onslaught and syrupy vampire vocal style. Indeed there are songs like "Beast Of Desire" and "The Red Carpet Day" that are even faster and heaver than "Revenant Choir." What's missing are the hooks.

Lyrical Sympathy proves that Versailles is more of a progressive band than a straight up metal band. They throw in a ton of changes and shifts in style, often at a cost to the overall flow of the song. While playing the guitar like a madman may be impressive at first, it's the power of a catchy tune that keeps people coming back for more.

Now of course not everyone needs an obvious pop song hook to "hear" the song. I'm not saying that Lyrical Sympathy is just a collection of random scales and complex drum patterns. I think where it fails is that it's neither a math rock text book lesson, nor the melodic sing along of "Revenant Choir." It falls somewhere in between, and the visual style of the band doesn't exactly add anything to the music when all you have are a couple speakers.

Even the one ballad on the album, "Sympathia" is on the weak side. It's powerful to be sure, sort of cross between Gackt and Psycho le Cemu, but it's just not enough. The delicate piano and organ sections throughout the album add a nice change of tone to the walls of guitar distortion. However these few touches aren't enough to carry the weight of all the seemingly aimless songwriting.

The production is also rather muddy and vague, something unexpected for such an obviously technical band. Which brings me to my main bit of confusion. "Revenant Choir" was released four months prior to the album, yet it far exceeds anything on the album in every way. It has a very catchy chorus, it has a clear yet interesting structure and the production is much better, being very clear and punchy, highlighting the drums and guitar syncopation. Even Kamijo's voice seems fuller and more robust. Why it isn't on the album I'll probably never know. It's almost like hearing a different band.

Again, most of this is due to my overly high expectations. "Revenant Choir" was simply too good to be true. Perhaps with time I'll get more out of Lyrical Sympathy. All I know is that "Revenant Choir" grabbed me immediately, and the album did nothing.

Buy it from CDJapan

Revenant Choir


Shout & Bites


Versailles



Versailles is a brand new band formed by an ex-member of Lareine. They are a vis-kei band of the drab and frilly variety. Their sound is just as dark and frilly as their attire, being soaring epic metal. Well, the one song they've released so far is epic and metal. Is it just me, or is it hilarious to see a guy dressed up as a woman in outrageously over the top Victorian lace and totally shredding on the guitar? All with a completely blank and/or board look on his face? Great stuff. Also, the lead singer playing the part of Lestat to a T will certainly go a long way in certain circles. Anyway, they do indeed bring a high level of musicianship to the table. This first song "Revenant Choir" is sung almost entirely in English. Will this pattern of blistering epic metal and syrupy, mumbling English continue on throughout the rest of the Lyrical Sympathy album? I certainly hope so, and you can expect a full review of the album soon after its release this Halloween.




Official Site
MySpace

Members:
KAMIJO : vocal
HIZAKI :guitar
TERU :guitar
Jasmine you : bass
YUKI :drums

Major Releases:
Lyrical Sympathy 2007/10/31