Jun 01 Philadelphia, PA - First Unitarian Church Jun 02 Washington, DC - 9:30 Club Jun 04 Durham, NC - North State Sound Jun 05 Atlanta, GA - Masquerade (Hell Stage) Jun 06 Nashville, TN - Exit In Jun 07 Memphis, TN - Hi-Tone Cafe Jun 08 Little Rock, AR - Revolution Music Room Jun 09 Baton Rouge, LA - Spanish Moon Jun 10 Houston, TX - Rudyards British Pub
Sep 22 Houston,TX - Walters on Washington Sep 23 Baton Rouge, LA - Spanish Moon Sep 24 Atlanta, GA - Masquerade (Hell Stage) Sep 25 Chapel Hill, NC - Local 506 Sep 26 Washington, DC Rock and Roll Hotel Sep 27 Philadelphia, PA - First Unitarian Church Sep 28 New York, NY - Bowery Ballroom Sep 29 Brooklyn, NY - The Bell House Sep 30 Cambridge, MA - Middle East Downstairs Oct 01 Montreal, QC - La TuLipe Oct 02 Toronto, ON - Lees Palace Oct 03 Detroit, MI - Magic Stick Oct 04 Chicago, IL - Bottom Lounge Oct 05 Minneapolis, MN - Triple Rock Social Club Oct 08 Vancouver, BC - Biltmore Cabaret Oct 09 Seattle, WA - Neumos Oct 10 Portland, OR - Doug Fir Lounge Oct 12 San Francisco, CA - Great American Music Hall Oct 13 Los Angeles, CA - El Rey Theatre Oct 14 Tucson, AZ - Club Congress Oct 16 Denton, TX - Hailey's Oct 17 Austin, TX - The Mohawk
We have hit the half-way mark on 2009 (well OK, we've gone well past it, but still) so that can only mean one thing. Time to take the first look back at the best Japanese albums of the first half of 2009!
This year, I'm trying something a little different than the past two. Instead of posting one giant list of albums, I've broken it up into two distinct parts. Here at the A-Z you've got the more rock, post-rock, post-punk, post-whatever and indie oriented bands. Over at Japanator you've got the more electro and pop stuff. Neither one is totally one genre or the other, but I thought it would be interesting to see how one list works against the other. So, once you are done soaking up the harder-edged stuff here, make sure to head on over to Japanator for even more.
First off, while none these picks are in any sort of order, I will say that the first three all fall into my own "album of the year" category, each for different reasons. First up is Part of Grace by Lillies and Remains, which I reviewed in full here. The self-produced album is a fascinating mix of darkness and light, with its gothic post-punk guitars and reverberations alongside some very lovely melodies. KENT's deep vocal style is also unique, adding to the swampy mystery. Factor in the all English lyrics, and these guys should have no problem making it big around the world.
On the opposite end of the spectrum lies Just A Moment, the self-produced album from Ling Tosite Sigure. If Part of Grace is a dark, brooding fog, Just A Moment is a violent hurricane. Full of explosive noise as well as equally quiet and calm passages, Just A Moment is a constantly shifting volcanic landscape.
My final pick for unofficial album of the year is Hymn to the Immortal Wind by Mono. The instrumental post-rock group has made a true masterpiece with Hymn. The expansive, lengthy songs all move through several stages, from silence to a roaring clash of guitars, drums and a full string section. Through it all runs a very strong sense of melody, with many painfully beautiful passages. Much like Sigure Ros, Mono provide the listener with all they need to imagine their own personal and/or otherworldly stories.
The song "Little Soldier" on Viridian's debut album Sangenshoku is well worth the price of admission in its own. The rest of the album is more quality indie rock, with singer Sano Hitomi's voice being a stand out, as her tone is more mature and deep than many other female singers. She stays well away from any cutesy flash and instead focuses on simply singing both well and with passion. It's a great album that will both lighten your mood and get you ready to kick a little ass.
Mass of the Fermenting Dregs continues to be one of the most exciting all girl (or, these days, almost all girl) indie-rock bands out there. They manage to pump out some really frenetic rock, while also maintaining their calm, cool and collected demeanor. While World is Yours is really more of a mini-album that a proper full release, it still proves that their ability to produce pulse-pounding anthems is no fluke.
With a healthy disregard for vocal perfection as well as a sometimes loose grove, it might seem like Qomolangma Tomato is falling off the rails from time to time, but rest assured that it's all part of the act. Camouflage is full of otherwise tuneful songs pushed to the brink of self-destruction. They actually aren't as rough as some of the individual songs might make them out to be. Overall, Camouflage is a multifaceted album full of surprises, provided you give it the chance.
At first listen, the new album from rock veterans Straightener is rather unassuming, maybe even little laid back. While they've never been a very extreme rock band, Nexus feels even more mild in temperament than usual. Upon closer inspection, however, the songs really open themselves up and reveal some very solid tunes.
Winnie blends lead male and female vocals just as well as they blend their slightly pop rock sound with much more listenable heavier rock textures. Their swirling guitars and danceable beats set them apart from the regular rock crowd just as their weighty guitar moments set them apart from the typical feel-good dance-rock bands.
While not actually a new album, but rather a remix album, Matryoshka's new release Coctura is nevertheless something totally new. The songs get both the standard remix treatment from the likes of World's End Girlfriend and Headphones Remote, as well as more of a cover song thing with guest vocalists and producers working together. All of this serves only to add even more atmosphere and a sense of reverence to Matryoshka's already moody and muzzy style.
This one is a bit of a cheat, since Back on My Feet is really just a glorified four song single or maybe an EP. Regardless, it's a great little release, worthy of inclusion on the list. While the group's previous album was pretty up-tempo and had a bit of a good-times party vibe, the material on Back on My Feet is darker and more subtle, much like their very early work. The songs take more time to develop and have greater depth. The use of piano and strings along with the usual batch of pounding cut-up drums, guitars and synths adds to the overall more mature and serious mood. Let's just hope we get an album in this style as well.
That's all for now. There's already a list of potentially great releases for the rest of the year, so I'm already excited about things to come!
See something missing? Then by all means write up your own best of list in the comments. Together we can bring all the best music into the light it deserves.
Much like Miaou, Mono is a post-rock (I prefer "shoegaze" is it's much more apt) instrumental band. However unlike Miaou, Mono is very loud, with much larger build-ups and greater high points. Yet they still have plenty of quiet and pretty moments. They are rather morose and melancholy, with powerful center sections that inevitably build to an ear-splitting cresendo.
J-Pop and J-Rock are only the beginning. The modern Japanese music scene is just as vibrant and varied as any other music scene in the world. I'm Zac Bentz, writer, musician, designer and all around Japanese music fanatic. Here I hope to share with you a comprehensive (!!) list of Japanese artists and bands (with a strong focus on underground and indie acts) that you may or may not have heard of, in the hopes of expanding our mutual awareness of Japanese music.
I don't mean to suggest that everything I listen to is great. Quite the contrary, I hope that you will take the time to recommend your own favorite artists in the comments so that we can all learn a bit more about the huge range of Japanese music that's out there.
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